\u015eubat 2025\u2019te yine farkl\u0131 bir d\u00f6nem roman olan \u201cPembe Boyal\u0131 Oda\u201d ile okuyucu kar\u015f\u0131na \u00e7\u0131kan D\u00fczg\u00fcn, son \u00e7al\u0131\u015fmas\u0131 \u201cTanr\u0131n\u0131n \u00d6ld\u00fc\u011f\u00fc Yer\u201d roman\u0131n\u0131 ise gelecek y\u0131l, 2027\u2019de basmaya haz\u0131rlan\u0131yor. \u00a0<\/p>\n
Ba\u015faran D\u00fczg\u00fcn, geleneksel medyan\u0131n dijital medyaya d\u00f6n\u00fc\u015fme s\u00fcrecindeki gazetecilik yolculu\u011funu, pandemi s\u00fcreciyle birlikte roman yazmaya ba\u015flamas\u0131 ve romanlar\u0131nda yer alan K\u0131br\u0131sl\u0131 T\u00fcrklerin toplumsal ger\u00e7ekleri hakk\u0131nda, R\u00fcstem Kitabevi\u2019nde T\u00fcrk Ajans\u0131 K\u0131br\u0131s\u2019a (TAK) konu\u015ftu.\u00a0 \u00a0\u00a0<\/p>\n
– \u201cMedya g\u00fcn\u00fcm\u00fczde eskilerin deyimiyle borazana ya da yenilerin deyimiyle propaganda aparat\u0131na d\u00f6n\u00fc\u015ft\u00fc\u201d<\/p>\n
Ba\u015faran D\u00fczg\u00fcn, konvansiyonel d\u00f6nemde medyan\u0131n yasama, y\u00fcr\u00fctme ve yarg\u0131dan sonra devletin temelini olu\u015fturan \u201cd\u00f6rd\u00fcnc\u00fc kuvvet\u201d olarak g\u00f6r\u00fcld\u00fc\u011f\u00fcn\u00fc dolay\u0131s\u0131yla bu durumun medyaya \u00e7ok \u00f6nemli bir itibar, g\u00fc\u00e7 ve sorumluluk y\u00fckledi\u011fini aktararak, \u201cAncak g\u00fcn\u00fcm\u00fczde medya \u2018d\u00f6rd\u00fcnc\u00fc kuvvet\u2019 olmaktan \u00e7\u0131kt\u0131. Eskilerin deyimiyle borazana ya da yenilerin deyimiyle propaganda aparat\u0131na d\u00f6n\u00fc\u015ft\u00fc.\u201d dedi.<\/p>\n
Medyada ya\u015fanan bu d\u00f6n\u00fc\u015f\u00fcm\u00fcn bir\u00e7ok nedeni oldu\u011funu dile getiren D\u00fczg\u00fcn, konvansiyonel medya d\u00f6neminde d\u00fcnyan\u0131n Do\u011fu ve Bat\u0131 bloku olarak iki kutuplu bir yap\u0131da oldu\u011funu ancak g\u00fcn\u00fcm\u00fczde bu yap\u0131n\u0131n y\u0131k\u0131ld\u0131\u011f\u0131n\u0131 ve yerine \u201cdaha \u00f6zg\u00fcrl\u00fck\u00e7\u00fc, daha demokratik\u201d bir sistem olarak d\u00fc\u015f\u00fcn\u00fclen serbest piyasan\u0131n h\u00e2kim oldu\u011fu ba\u015fka bir d\u00fcnya d\u00fczeninin kuruldu\u011funu an\u0131msatt\u0131. \u00a0<\/p>\n
D\u00fczg\u00fcn, \u201cdaha \u00f6zg\u00fcr ve daha demokratik\u201d bir sistem olarak d\u00fc\u015f\u00fcn\u00fclen yeni yap\u0131lanman\u0131n asl\u0131nda daha totaliter ve g\u00fcvenlik temelli bir yap\u0131ya d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcne de dikkat \u00e7ekerek, bu d\u00f6n\u00fc\u015f\u00fcmden ilk etkilenenlerden birinin ise medya oldu\u011funu vurgulad\u0131. <\/p>\n
Otoriter rejimler taraf\u0131ndan g\u00fcvenlik\u00e7i politikalar\u0131n konu\u015fuldu\u011fu bir d\u00fcnyada, demokrasinin geri planda kald\u0131\u011f\u0131n\u0131, ayr\u0131ca dijital medyan\u0131n yayg\u0131nla\u015fmas\u0131yla da genelde gazetecili\u011fin \u00f6zelde ise haber ve ona ba\u011fl\u0131 olarak okuyucu yap\u0131s\u0131n\u0131n de\u011fi\u015fti\u011fini dile getiren D\u00fczg\u00fcn, \u015f\u00f6yle konu\u015ftu: <\/p>\n
\u201cHaber olarak sunulan bu yeni bilgisayar metniyle birlikte okuyucu profili de de\u011fi\u015fti. Sabah erkenden kalk\u0131p, bayiye giderek s\u0131raya giren, gazetesini alan ve 30-40 sayfa gazeteyi okuyan okuyucu gitti; onun yerine telefonda ya da Facebook’ta bir paragrafl\u0131k haberi takip eden okuyucu geldi.\u201d \u00a0<\/p>\n
Ba\u015faran D\u00fczg\u00fcn, bu yeni olu\u015fuma halen daha direnen az say\u0131da gazeteci ve haber ajanslar\u0131 oldu\u011funu, belirterek, \u201cHala direnenler var. Ara\u015ft\u0131ran, habere bir paragraftan fazla yer veren ajanslar var. Bu \u00e7ok de\u011ferli, ama ne yaz\u0131k ki \u00e7ok de\u011fil\u201d dedi.\u00a0 <\/p>\n
Bu ba\u011flamda, gazetecinin tan\u0131m\u0131n\u0131n da de\u011fi\u015fti\u011fine dikkat \u00e7eken D\u00fczg\u00fcn, bug\u00fcn\u00fcn gazetecilerinin de gazeteci olarak tan\u0131mlanamayaca\u011f\u0131n\u0131, elinde bir kamera ya da mikrofon tutan ki\u015finin gazeteci olmad\u0131\u011f\u0131n\u0131, gazetecinin ara\u015ft\u0131ran, \u00fcreten biri olmas\u0131 gerekti\u011fine vurgu yapt\u0131. \u00a0\u00a0\u00a0\u00a0<\/p>\n
-\u201cUzun s\u00fcre evde kapal\u0131 kald\u0131k, bu durum yeniden \u00fcretme konusunda d\u00fc\u015f\u00fcnmemi sa\u011flad\u0131\u201d<\/p>\n
Ba\u015faran D\u00fczg\u00fcn, pandemi s\u00fcrecinde yaln\u0131zca konvansiyonel medyan\u0131n de\u011fil, insanlar\u0131n da d\u00f6n\u00fc\u015f\u00fcm ge\u00e7irdiklerini aktararak, \u015f\u00f6yle konu\u015ftu:\u00a0 <\/p>\n
\u201cUzun s\u00fcre evde kapal\u0131 kald\u0131k. Fiziken birka\u00e7 ki\u015fiyle g\u00f6r\u00fc\u015ft\u00fck. \u00a0Bu asl\u0131nda insan hayat\u0131nda \u00e7ok \u00f6nemli bir \u015feydir. Pandemi \u00f6ncesinde ya\u015fanan ko\u015fu\u015fturmaca durdu, \u00e7ok bo\u015f zaman kald\u0131. Bu durum oturup hayat\u0131 yeniden yorumlamam\u0131, yeniden \u00fcretme konusunda d\u00fc\u015f\u00fcnmemi sa\u011flad\u0131.\u201d <\/p>\n
D\u00fczg\u00fcn, bu d\u00f6nemin farkl\u0131 bir alanda yazmaya y\u00f6nelmesine b\u00fcy\u00fck etkisi oldu\u011funu vurgulayarak, bu sayede roman yazmaya ba\u015flad\u0131\u011f\u0131n\u0131 kaydetti.\u00a0 <\/p>\n
Haber yazarken insanlarla sadece haber konular\u0131nda de\u011fil, farkl\u0131 farkl\u0131 konularda, onlar\u0131n hayat hik\u00e2yelerini i\u00e7eren konu\u015fmalar yapt\u0131\u011f\u0131n\u0131 aktaran D\u00fczg\u00fcn, \u201cHep insanlar\u0131n hik\u00e2yelerini dinledim. Bu \u00e7ok b\u00fcy\u00fck bir birikimdi. Sonra bakt\u0131m ki s\u0131radan insanlar\u0131n ya\u015fad\u0131\u011f\u0131 bu olaylar m\u00fcthi\u015f hik\u00e2yeler i\u00e7eriyor. Bu hik\u00e2yeler ba\u015fka bir tarzda nas\u0131l anlat\u0131labilir diye d\u00fc\u015f\u00fcnd\u00fcm ve romana ge\u00e7tim.\u201d dedi. <\/p>\n
– \u201cRomanlar\u0131n ge\u00e7ti\u011fi yerleri bizzat ziyaret ettim, oray\u0131 bilen insanlarla konu\u015ftum\u201d<\/p>\n
Roman yazman\u0131n haber yazmadan farkl\u0131 oldu\u011funu hat\u0131rlatan D\u00fczg\u00fcn, haber yazman\u0131n roman yazma s\u00fcrecine olumlu katk\u0131s\u0131 olmas\u0131na ra\u011fmen roman yazmak i\u00e7in farkl\u0131 teknikler gerekti\u011fini, bu nedenle de roman yazma tekni\u011fi konusunda e\u011fitim ald\u0131\u011f\u0131n\u0131 s\u00f6yledi. <\/p>\n
D\u00fczg\u00fcn, roman yazarken sadece nas\u0131l yaz\u0131laca\u011f\u0131na de\u011fil, roman\u0131n ge\u00e7ti\u011fi yerlerin ve ya\u015fananlar\u0131n da \u00f6nemli oldu\u011funu vurgulayarak, \u015f\u00f6yle devam etti: \u00a0<\/p>\n
\u201cYazarken iki \u015fey yapt\u0131m. Birincisi, romanda ge\u00e7en yerlerin t\u00fcm\u00fcne gittim, mek\u00e2nlar\u0131 ziyaret ettim. \u00d6rne\u011fin \u0130talya\u2019n\u0131n ortas\u0131nda, y\u00fcksek da\u011flar\u0131n tepesinde bir manast\u0131ra gittim. Polonyal\u0131lar\u0131n mezarl\u0131\u011f\u0131na, \u015fehitli\u011fine gittim. Orada binlerce Polonyal\u0131 \u00f6ld\u00fc. Bu insanlar oralarda ne yapt\u0131lar, onlara bakt\u0131m. Sonra bizde Fasli var. Poli\u2019nin \u00fcst taraf\u0131nda, tepelerin \u00fcst\u00fcnde bir k\u00f6y. Oraya gittim, orada vakit ge\u00e7irdim. Hatta geceledim, oray\u0131 bilen insanlarla oturup \u00e7ok uzun saatler sohbet ettim. Oradaki evlere bakt\u0131m, evlerin i\u00e7ine girdim, onlar\u0131n g\u00fcnl\u00fck ya\u015famlar\u0131na bakt\u0131m.\u201d <\/p>\n
Ba\u015faran D\u00fczg\u00fcn, mek\u00e2nlara, evlere y\u00f6nelik yapt\u0131\u011f\u0131 ziyaretlerde evlerin durumunu, evlerin i\u00e7erisindeki e\u015fyalar\u0131 g\u00f6zlemledi\u011fini \u00e7\u00fcnk\u00fc k\u00fclt\u00fcr\u00fcn t\u00fcm bunlar etraf\u0131nda \u015fekillendi\u011fini s\u00f6yleyerek, bu ya\u015fanm\u0131\u015f hik\u00e2yelerin ancak yerine gidilip, yak\u0131ndan g\u00f6r\u00fcld\u00fc\u011f\u00fc zaman okuyucuya do\u011fru olarak aktar\u0131labildi\u011fini dile getirdi. <\/p>\n
Roman yazma s\u00fcrecinde sadece mek\u00e2n ziyareti yapmad\u0131\u011f\u0131na da dikkat \u00e7eken D\u00fczg\u00fcn, ayn\u0131 zamanda d\u00f6neme ili\u015fkin bir\u00e7ok okuma yapt\u0131\u011f\u0131n\u0131, \u00e7\u00fcnk\u00fc bug\u00fcnden ge\u00e7mi\u015fe bakarak ge\u00e7mi\u015fi anlamaya \u00e7al\u0131\u015fman\u0131n m\u00fcmk\u00fcn olmad\u0131\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7izdi. <\/p>\n
D\u00fczg\u00fcn, yazd\u0131\u011f\u0131 d\u00f6nem romanlar\u0131nda K\u0131br\u0131sl\u0131 T\u00fcrklerin neslini tehdit eden \u00fc\u00e7 \u201c\u00f6ks\u00fczl\u00fck metaforu\u201d bulundu\u011funa da dikkat \u00e7ekerek, \u00fc\u00e7 d\u00f6nemi \u015f\u00f6yle anlatt\u0131: <\/p>\n
\u201cBirincisi 1878, \u0130ngilizlerin bir g\u00fcn adan\u0131n y\u00f6netimini almas\u0131yla, adan\u0131n h\u00e2kimi mutlu az\u0131nl\u0131k adada k\u00e2bus ya\u015fayan az\u0131nl\u0131\u011fa d\u00f6n\u00fc\u015ft\u00fc. Bu m\u00fcthi\u015f bir tramvayd\u0131. \u0130kinci, maalesef pek konu\u015fulmuyor. T\u00fcrkiye Cumhuriyeti’nin kurulu\u015f anla\u015fmas\u0131 olan Lozan Antla\u015fmas\u0131 d\u00f6neminde ya\u015fand\u0131. Bence K\u0131br\u0131sl\u0131 T\u00fcrkler i\u00e7in ciddi bir felaketti. \u00c7\u00fcnk\u00fc Lozan’da K\u0131br\u0131sl\u0131 T\u00fcrklerle ilgili bir madde var, burada K\u0131br\u0131sl\u0131 T\u00fcrklere se\u00e7enek sunuluyor, \u2018isterseniz anavatan\u0131n\u0131za geri d\u00f6nebilirsiniz ya da \u0130ngiliz vatanda\u015f\u0131 olabilirsiniz\u2019 \u015feklinde. Bir\u00e7ok insan o d\u00f6nemde Anadolu\u2019ya gitti. Ben roman\u0131mda kalanlarla ilgili yazd\u0131m. Ama o d\u00f6nem \u00e7ok say\u0131da insan gitti. Ayd\u0131nlar gitti. Zenginleri gitti. Hatta bir\u00e7ok k\u00f6y bo\u015falt\u0131ld\u0131. Asl\u0131nda bu da bir terk edi\u015ftir yani kalanlar yine \u00f6ks\u00fcz kald\u0131. Bu s\u00fcre\u00e7 1934-1935’e kadar devam etti. Adada kalanlar s\u00fcrekli m\u00fccadele etti, \u2018gitmeyin\u2019, \u2018bu topraklar\u0131 bo\u015faltmay\u0131n\u2019 dedi. \u00dc\u00e7\u00fcnc\u00fc metafor ise 1963’t\u00fcr. O d\u00f6nemde fiziken yok olman\u0131n tehlike e\u015fi\u011finden d\u00f6n\u00fcld\u00fc. Asl\u0131nda 1963 Aral\u0131k\u2019ta ba\u015flad\u0131lar ve 1964’\u00fcn t\u00fcm\u00fc ve tabii sonras\u0131 da insanlar \u00f6ld\u00fcr\u00fcld\u00fcler. Bu d\u00f6nemde de insanlar kom\u015fu k\u00f6ylere gittiler, harabelerde, ah\u0131rlarda kald\u0131lar. Bir hanede \u00fc\u00e7 aile kal\u0131yordu.\u201d<\/p>\n
Romanlar\u0131nda K\u0131br\u0131sl\u0131 T\u00fcrklerin ya\u015fad\u0131\u011f\u0131 travmalar\u0131n yan\u0131 s\u0131ra roman karakterleri hakk\u0131nda da konu\u015fan D\u00fczg\u00fcn, kendi yaratt\u0131\u011f\u0131 karakterler yan\u0131nda \u00e7o\u011fu karakterin ger\u00e7ek oldu\u011funu ama t\u00fcm karakterlerin de s\u0131radan insanlar aras\u0131ndan se\u00e7ildi\u011fini s\u00f6yledi. <\/p>\n
D\u00fczg\u00fcn, bir\u00e7ok okuyucunun romanlar\u0131 okurken kendi ya\u015famlar\u0131na dair izler bulduklar\u0131n\u0131 belirterek, \u00f6zellikle 60 ya\u015f \u00fcst\u00fcndekilerin dedeleri ve babalar\u0131n\u0131n anlatt\u0131klar\u0131yla romandaki anlat\u0131lar aras\u0131nda benzerlikler kurdu\u011funu ve bu sayede ge\u00e7mi\u015fin de\u011ferini hat\u0131rlad\u0131klar\u0131n\u0131 aktard\u0131. <\/p>\n
Sava\u015fa giden erkekler ya da Araplara veya zengin konaklar\u0131na sat\u0131lan k\u0131z \u00e7ocuklar\u0131na dair de bir\u00e7ok okurdan gerid\u00f6n\u00fc\u015f ald\u0131\u011f\u0131n\u0131 dile getiren D\u00fczg\u00fcn, nenesi ya da annesi bu durumda olan bir\u00e7ok okurun hik\u00e2yelerini kendisiyle payla\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yledi. \u00a0\u00a0<\/p>\n
D\u00fczg\u00fcn, romanlardaki hik\u00e2yelerin asl\u0131nda ya\u015fanan olaylar olduklar\u0131n\u0131 belirterek, \u015f\u00f6yle konu\u015ftu:<\/p>\n
\u201cAraplar\u2019a sat\u0131lan k\u0131zlar konusunda, \u015feklen bakt\u0131\u011f\u0131n\u0131z zaman baban\u0131n izni, r\u0131zas\u0131 var gibi g\u00f6r\u00fcn\u00fcyor ama de\u011fil asl\u0131nda. Bu adam\u0131n borcu var, \u00f6deyemiyor ve evi ya da tarlas\u0131 elinden gidecek, a\u00e7 kalacak. Orada kurumla\u015fm\u0131\u015f bir sistem var, boh\u00e7ac\u0131lar evleri dola\u015f\u0131p, sadece sat\u0131\u015f yapm\u0131yor ayn\u0131 zamanda bilgi topluyorlar, kim d\u00fc\u015fk\u00fcn, kim zorda \u00f6\u011freniyorlar. Bakt\u0131\u011f\u0131n\u0131zda \u0130ngiliz\u2019in bile ba\u015f edemedi\u011fi sistematik bir su\u00e7 var. K\u0131br\u0131s \u0130ngiliz topra\u011f\u0131d\u0131r, Filistin de \u0130ngiliz topra\u011f\u0131d\u0131r, dolay\u0131s\u0131yla gidi\u015f ve geli\u015f rahatt\u0131r, zaten bunu kullan\u0131yorlar. D\u00fc\u015f\u00fcn\u00fcn, siz re\u015fit olmayan bir \u00e7ocu\u011fu al\u0131p \u0130spanya’ya g\u00f6t\u00fcremezsiniz. Bu \u00e7ok zordur.\u201d <\/p>\n
Ba\u015faran D\u00fczg\u00fcn, yak\u0131n tarihi bilmeyen b\u00fcy\u00fck bir \u00e7o\u011funluk oldu\u011funu da s\u00f6yleyerek, \u201c\u00c7\u00fcnk\u00fc bu tarih okullarda \u00f6\u011frendi\u011fimiz bir tarih de\u011fil.\u201d dedi.<\/p>\n
– Son \u00e7al\u0131\u015fmas\u0131 \u201cTanr\u0131n\u0131n \u00d6ld\u00fc\u011f\u00fc Yer\u201d roman\u0131n\u0131 2027 y\u0131l\u0131nda basmaya haz\u0131rlan\u0131yor<\/p>\n
\u0130lk d\u00f6nem roman\u0131 \u201c\u00d6ks\u00fcz Atlar \u00dclkesi\u201dnin \u0130ngiltere\u2019de bir yay\u0131nevi taraf\u0131ndan \u00f6nceki May\u0131s ay\u0131nda \u0130ngilizce olarak yay\u0131mlanmas\u0131ndan dolay\u0131 heyecan duydu\u011funu s\u00f6yleyen D\u00fczg\u00fcn, uluslararas\u0131 bir platformda kendi k\u00fclt\u00fcr\u00fcne dair hik\u00e2yelerin duyurulmas\u0131n\u0131n k\u0131ymetli oldu\u011funu belirtti. \u00a0<\/p>\n
\u015eubat 2025\u2019te yine farkl\u0131 bir d\u00f6nem roman olan \u201cPembe Boyal\u0131 Oda\u201d ile okuyucu kar\u015f\u0131nda \u00e7\u0131kan D\u00fczg\u00fcn, son \u00e7al\u0131\u015fmas\u0131 \u201cTanr\u0131n\u0131n \u00d6ld\u00fc\u011f\u00fc Yer\u201d roman\u0131n\u0131 ise 2027 y\u0131l\u0131nda basmaya haz\u0131rlan\u0131yor.\u00a0 <\/p>\n
Ba\u015faran D\u00fczg\u00fcn, \u00fc\u00e7\u00fcnc\u00fc roman\u0131n\u0131n da bir d\u00f6nem roman\u0131 oldu\u011funu ve 1974\u2019\u00fcn hemen \u00f6ncesi ile hemen sonras\u0131nda ge\u00e7en bir hik\u00e2ye oldu\u011funu aktararak, roman\u0131n Bar\u0131\u015f isimli bir gazetecinin g\u00f6z\u00fcnden sava\u015f\u0131n hemen \u00f6ncesi ve hemen sonras\u0131n\u0131 konu ald\u0131\u011f\u0131n\u0131 vurgulad\u0131. <\/p>\n
Haber: G\u00fclden Hac\u0131mevl\u00fct Alyaz\u00a0\u00a0\u00a0 Foto\u011fraf: Timu\u00e7in Y\u0131ld\u0131r\u0131m<\/p>\n<\/p>\n
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![\"Son](\"https:\/\/www.kibrishost.com\/tak\/wp-content\/uploads\/2026\/08\/son-yillarda-romanlariyla-konusulan-bir-gazeteci-basaran-duzgun-4-658x1024.jpeg\")
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![\"Son](\"https:\/\/www.kibrishost.com\/tak\/wp-content\/uploads\/2026\/08\/son-yillarda-romanlariyla-konusulan-bir-gazeteci-basaran-duzgun-6-1024x683.jpeg\")
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Gazetecilikte yakla\u015f\u0131k 40 y\u0131l\u0131 geride b\u0131rakan Ba\u015faran D\u00fczg\u00fcn, pandemi s\u00fcrecinde yaln\u0131zca geleneksel medyan\u0131n de\u011fil, insanlar\u0131n da d\u00f6n\u00fc\u015f\u00fcm ge\u00e7irdiklerini aktararak, \u201cPandemi \u00f6ncesinde ya\u015fanan ko\u015fu\u015fturmaca durdu, bu durum oturup hayat\u0131 yeniden yorumlamam\u0131 sa\u011flad\u0131.\u201d dedi. Ba\u015faran D\u00fczg\u00fcn, pandemiyle birlikte bas\u0131n\u0131n \u201cd\u00f6rd\u00fcnc\u00fc kuvvet\u201d olma \u00f6zelli\u011fini yitirdi\u011fini ve konvansiyonel (geleneksel) medyan\u0131n \u201c\u00e7\u00f6k\u00fc\u015fe\u201d ge\u00e7ti\u011fini belirterek, bu durumun roman yazmaya y\u00f6nelmesine \u00e7ok …<\/p>\n","protected":false},"author":1,"featured_media":150238,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[21633,64,25177,1914,12080,48594,297,2972],"class_list":["post-150237","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kibris","tag-basaran","tag-bir","tag-duzgun","tag-gazeteci","tag-konusulan","tag-romanlariyla","tag-son","tag-yillarda"],"_links":{"self":[{"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/posts\/150237"}],"collection":[{"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/comments?post=150237"}],"version-history":[{"count":1,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/posts\/150237\/revisions"}],"predecessor-version":[{"id":150245,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/posts\/150237\/revisions\/150245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/media\/150238"}],"wp:attachment":[{"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/media?parent=150237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/categories?post=150237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kibrishost.com\/tak\/wp-json\/wp\/v2\/tags?post=150237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}